{"created":"2023-06-19T07:15:11.412304+00:00","id":1534,"links":{},"metadata":{"_buckets":{"deposit":"a7d4b248-0728-4419-8ed6-9222a04a58aa"},"_deposit":{"created_by":12,"id":"1534","owners":[12],"pid":{"revision_id":0,"type":"depid","value":"1534"},"status":"published"},"_oai":{"id":"oai:tokoha-u.repo.nii.ac.jp:00001534","sets":["6:243"]},"author_link":["50","2367","50","2367"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-12-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"16","bibliographicPageEnd":"96","bibliographicPageStart":"85","bibliographic_titles":[{"bibliographic_title":"常葉大学造形学部紀要"},{"bibliographic_title":"TOKOHA UNIVERSITY FACULTY OF ART AND DESIGN RESEARCH REVIEW","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"木を素材とした造形表現に関する論文「木の造形」の続編。\n先の内容は木を使って作品を制作している作家を通して、造形表現の可能性について述べたものであった。\n今回は、「木の造形」を参考にした学生たちがどのように素材を捉え、どのような視点から作品を制作したのかを考察したもの。\nまた前に触れる機会がなかった、木に加えて他の素材を複合的に扱っている作家と作品についても紹介する。","subitem_description_type":"Abstract"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.18894/00001506","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"常葉大学造形学部"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"2188-4366","subitem_source_identifier_type":"PISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorAffiliations":[{"affiliationNameIdentifiers":[{"affiliationNameIdentifierScheme":"ISNI","affiliationNameIdentifierURI":"http://www.isni.org/isni/"}],"affiliationNames":[{"affiliationNameLang":"ja"}]}],"creatorNames":[{"creatorName":"夏池, 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