{"created":"2023-06-19T07:48:23.918893+00:00","links":{},"metadata":{"_buckets":{"deposit":"5447080a-66b2-4da4-9039-52a76ed7b2cb"},"_deposit":{"id":"1500.1","owners":[12],"pid":{"revision_id":0,"type":"depid","value":"1500.1"},"status":"published"},"_oai":{"id":"oai:tokoha-u.repo.nii.ac.jp:00001500.1","sets":["1:241"]},"author_link":["2296","2297"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-12-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"38","bibliographicPageEnd":"399","bibliographicPageStart":"391","bibliographic_titles":[{"bibliographic_title":"常葉大学教育学部紀要"},{"bibliographic_title":"TOKOHA UNIVERSITY FACULTY OF EDUCATION RESEARCH REVIEW","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　J.S.Bach の平均律クラヴィア曲集のプレリュードには様々な音楽様式が用いられ\nている。曲集の第１巻の第１曲に位置するBWV846 のPrelude の作曲手法は，あま\nりにも単純な分散和音形による作品になっていることから，先行研究による分析方法\nを探る。本論文は，作曲家がこの曲にどのような意味を込められているか明確にする\nことを目的としている。また，先行研究では和声分析によるものが殆どで，当時の和\n声では解明できない部分に対する答えが曖昧となっている。本論ではこの点に着目し，\n対位法的考察方法で解明できないかという仮定のもと，分析を行っている。\n　その結果，和音構成音を５声部に分けて考察していく方法を用いることで，声部間\nで主題がStretto されていることが見え，これによって音楽的緊張を作り出している\nことから和声法では解明できない音の衝突が起こったと推察できることが判明した。","subitem_description_type":"Abstract"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.18894/00001476","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"常葉大学教育学部"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"2188－434X","subitem_source_identifier_type":"ISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"山﨑, 正"},{"creatorName":"ヤマザキ, タダシ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"YAMAZAKI, Tadashi","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-04-23"}],"displaytype":"detail","filename":"29教育38山﨑正.pdf","filesize":[{"value":"1.2 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"url":"https://tokoha-u.repo.nii.ac.jp/record/1500.1/files/29教育38山﨑正.pdf"},"version_id":"fffe599e-65eb-44e4-8beb-897bcaa2f5e1"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"バッハ","subitem_subject_scheme":"Other"},{"subitem_subject":"平均律第１巻","subitem_subject_scheme":"Other"},{"subitem_subject":"C-dur のPrelude","subitem_subject_scheme":"Other"},{"subitem_subject":"和声進行","subitem_subject_scheme":"Other"},{"subitem_subject":"対位法的要素","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"J.S.Bach: 平均律クラヴィア曲集　第１巻　BWV846 Prelude の対位法的技法の活用分析について","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"J.S.Bach: 平均律クラヴィア曲集　第１巻　BWV846 Prelude の対位法的技法の活用分析について"},{"subitem_title":"J.S.Bach: Das Wohltemperierte Klavier 1 Teil Utilization of BWV 846 Prelude's Application of Counterpoint Technique","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"12","path":["241"],"pubdate":{"attribute_name":"公開日","attribute_value":"2018-04-23"},"publish_date":"2018-04-23","publish_status":"0","recid":"1500.1","relation_version_is_last":true,"title":["J.S.Bach: 平均律クラヴィア曲集　第１巻　BWV846 Prelude の対位法的技法の活用分析について"],"weko_creator_id":"12","weko_shared_id":-1},"updated":"2023-08-29T04:38:29.029777+00:00"}